Blaise Pascal

Bryce Pascal We arrive at reality for reason as well as for the brain. (1) Bryce Pascal says that he is probably the best mastermind of the seventeenth century. The seventeenth century is a time of logical upheaval. Meanwhile, the fundamental thought of ​​everyone isn't simply to tune in to stories, however to ask everything. This realized an adjustment in deduction in the field of religion and science. Science makes it conceivable to cast questions on the lessons of old houses of worship. Researchers experience the ill effects of thought of arithmetic and material science, yet logicians are experiencing the possibility of ​​God. Little thoughts are identified with common remarkable, superb thoughts. It was told once by Blythe Pascal. Bryce Pascal, conceived in Clermont-Ferrand, France on June 19, 1623, will change the universe of science and arithmetic. He is a French mathematician, physicist, designer, essayist, and Christian logician. He is a virtuoso of youngsters. His initial life was neither a dismal story nor an extremely glad story. However, his innovation is still exceptionally valued. - The French Revolution occurred from 1789 to 1799 when the government was toppled, the Republic was established, and the congregation was confined. The French Revolution finished in 1799 with the rule of Napoleon Bonaparte. The French Revolution established the French Legislative Assembly. Numerous individuals think disclosure is the reason for the French Revolution, however disclosure isn't one of the principle main impetus of the transformation. Blaise Pascal is the third offspring of Étienne Pascal's youngster and his lone child. Blythe 's mother kicked the bucket when she was 3 years of age. In 1632, the Pascal family, Etienne and his four kids left Clermont and settled in Paris. Bryce Pascal 's father chose to show his child from a strange instructive perspective. Étienne Pascal concluded that Blaise would not learn arithmetic by the age of 15 and concluded that every single numerical content would be expelled from their home. In any case, his interest aroused his curiosity and he started examining geometry at twelve years old. He discovered that the entirety of the edges of the triangle is two right edges When his dad saw, he permitted delicate duplicates of Blaise Euclidean.

Seven Ages by William Shakespeare free essay sample

He turns out to be mindful of his looks and starts to appreciate the better things of life. †¢ Old age: He starts to lose his appeal both physical and mental. He starts to turn into the brunt of others jokes. He loses his solidness and self-assuredness and therapists in height and character. †¢ Mental dementia and passing: He loses his status and he turns into a non-element. He gets subject to others like a youngster and needs consistent help before at last biting the dust. The sonnet initiates with life being contrasted with a gigantic stage where we all are just entertainers. Every individual has a passage into the world during childbirth and ways out it at death. As indicated by Shakespeare, each man plays a few sections during his life time. On the phase of life each man has seven acts. The main demonstration of man is early stages. Right now all that the infant does is cry and vomit on his attendants lap. After he experiences his baby life, he develops as a school kid who slings his sack behind him and crawls most reluctantly to class. At the following stage throughout everyday life, the youngster is a sweetheart who is caught up with creating songs for his adored and moaning profoundly for her consideration. He graduates into a hairy fighter who guarantees seriously to watch his nation. He is loaded up with national pride, rushes to be offended and is consistently prepared to jump up in safeguard. Now of time he is increasingly worried about status and notoriety. From the light-footed warrior, he proceeds to turn into an appointed authority whose waistline develops as he gets fatter and fatter. He wears a short, formal whiskers and his eyes become serious. He is loaded with astuteness, addressing everybody in an equitable and savvy way. After he has had this impact, he goes into the 6th age. He turns out to be slight, wears exhibitions, the skin around him hangs freely. He is ridiculed just like a clever elderly person. His childhood has been deserted. His garments hang freely around him and his once masculine voice transforms into a piercing, infantile one. With this, man enters the last demonstration where he encounters his second adolescence as he gets subject to individuals again. He is overwhelmed by infirmity and absent mindedness as he loses his resources of sight, hearing, smell and taste, gradually and eventually kicks the bucket. Foundation of the Poem William Shakespeare was an incredible writer and an artist who mirrored the complexities and real factors of life in an extremely unpretentious way. In his well known play As You Like It, Jacques gives a discourse about the seven phases in a keeps an eye on life. Jacques discourse turned into a perfect work of art and concentrates of the discourse are frequently cited in writing. Since Jacques was a despairing character, he presents a negative image of life. Outline Through Jacques, Shakespeare advances the view that the world is a phase wherein individuals have their influence. There are seven acts like seven phases in a keeps an eye on life. An individual performs diverse jobs in a solitary life-time. First and foremost, he is a crying infant in the arms of the medical attendant. Earliest stages is trailed by school-going stage, when he is splendid peered toward, walking reluctantly to class. In the third stage, he develops into a sweetheart, composing sonnets in recognition of his dearest and moaning like a heater. At that point he assumes the job of an officer, who is careless, and who eagerly forfeits his life for respect. In the following job he is a Judge, very much took care of, prosperous, fat and furious peered toward. He is consistently in a state of mind of dazzling others and is brimming with astute sayings. The following stage portrays man to be frail, slender, wearing scenes and shoes. His garments are free and legs are flimsy and his voice is deafening like that of a kid. Toward the end comes the last stage when he loses his memory, teeth, eyes, taste, in reality everything. It resembles a second youth as he needs to rely upon others for everything. Along these lines closes the show of his memorable life. Outline In this sonnet, Shakespeare portrays different phases of human life. He looks at this world to a phase where people as entertainers and on-screen characters play out the dramatization of human life. The birth and demise of people is like the passageway and exit of characters of stage. This perspective mirrors his profound association with theater. Shakespeare says that every individual performs seven sections in this little show on the phase of the world. He makes his entrance as an infant who is completely needy upon others. This stage closes when the baby develops into a school kid. Shakespeare depicts him as a kid having a face new like morning, with his sack holding tight his side, strolling suitably to class. To start with he doesn't care for going to class yet step by step his reasoning changes. At the point when time passes onwards the student changed into a youth. He isn't a grown-up yet and because of absence of development, he enjoys captivations. The youngster through long stretches of experience develops as a bold officer. His wants and desire give an increasingly forceful look. He has gotten hurried and battles about minor issues. He needs to get well known no matter what. The time of boldness before long passes away by offering path to a develop and reasonable stage when he assumes the job of an adjudicator. He has chilly, apathetic eyes and wears a facial hair of formal trim. He offers talks to individuals and conveys shrewd adages. The stage additionally reaches a conclusion and the 6th age shows up. The astute appointed authority is an elderly person now. His legs are slim and body has contracted and his solid voice changes into a squeaking voice. The seventh and the last phase of a keeps an eye on life is the hour of exit. He is by and by subordinate upon others as he was in early stages. Shakespeare has called this age second youth. As indicated by Jacques, the entire world is where man institutes various parts relying upon an amazing phases. He advances by following the primary phase of keeps an eye on life earliest stages and adolescence, wherein the youngster enrolls his dissent against the different restraining powers of life. The school kid goes to class hesitantly. As indicated by Jacques, the following stage is one rash and foolish youth, portrayed through the figure of the down and out sweetheart and the courageous officer. The sweetheart moans as noisily as the commotion made by amazing heater. He follows the customary method of charming his sweetheart by composing a sonnet to portray his darlings excellence. The Stages of Soldier, Justice, Aged Man and Second Childishness in the Seven Ages of Man The warrior encapsulates youth and is set up to pass on for his notoriety. This is trailed by a period of lack of concern and deceptive insight in the center a very long time as found in the character of the rich and all around took care of equity. Jacques wants to concentrate on the negative side of mature age as found on account of the Pantaloon. This maturing man has contracted truly just as intellectually. The garments he had worn in his childhood, presently don't accommodate his contracted body. His voice is not, at this point masculine. It is noisy and adolescent. He slides woefully towards the last phase of feebleness and blankness, defenseless as a newborn child. He has lost every one of his resources. The absolute initial two lines of the sonnet epitomize Shakespeares ideas with respect to Life, Destiny and Providence. He unequivocally puts stock in assumptions with respect to life. The artist understands that the stage is set by the Ultimate Creator, and we are minor manikins out to act our jobs out as coordinated by Him. Their ways out and passageways are stage-overseen or foreordained. A man for the most part plays seven common parts. Like Ben Jonsons level character types dependent on the hypothesis of humors, these are exemplified basically as per age of the individual. In the primary stage, he is the newborn child, in the second, he is the student . In spite of the fact that he is invested with a sparkling face and the life of youth, he moves loves a snail unprepared of the favors he is credited with. He fears what the world holds coming up for him, and worried of moving out of his defensive shell. At that point comes the sweetheart who envisions the world as a walk in the park. He is so fixated on his affection that he neglects to see anything past that. Like a heater, he ignites with the bubbly feeling of affection. He looks for delights in his troubles. Along these lines comes the officer who is as whiskery as a pard or as furry as a panther. He needs to surprise the world, loaded with guarantees. He looks for an air pocket notoriety, a fleeting type of achievement that is genuine just for the present, never for the past or what's to come. He is rash in articulations, and instinctual in feelings. The adjudicator was commonly with a major stomach and capon lined. The capon was a delicacy of times and used to pay off officials relating to the law. In this way, Shakespeare in a roundabout way focuses to the degenerate acts of the time He had a whiskers of formal cut, as his calling requested of him and serious or sharp eyes as expected of an appointed authority. His shrewd saws or age-old sayings are even with a cutting edge standpoint. The 6th stage that of the Pantaloon alludes to the figure of Pantalone in the Italian Commedia dell Arte convention. The figure was exemplified as a stupid character. Here Shakespeare caricaturizes him as being lean and slippered. A bespectacled man, he has a pocket close by maybe inferable from his bombing memory. The world is unreasonably wide for him now. Right off the bat, his contracted size causes the world to appear to be huger for it. Also, presently as his utility worth has gone down, he has gotten unreasonably little for the world. His masculine voice progresses into an adolescent treble. There are funnels and whistles in his sound inferring the squeaking, and furthermore the loss of his manliness. The last stage That closes this unusual significant history, Is second silliness and simple obscurity, Sans teeth, sans eyes, sans taste, sans everything. The word san is given by Jacques to influence elegant French. Portrayed by dementia, the individual is likewise without the tactile observations, and in this manner no happier than a baby who at any rate has these.

Health Care Administration Leadership

Question: Talk about the recent developments in human services organization administration and the fiedler possibility hypothesis. Answer: A month prior, the AAR Healthcare held a wellbeing camp around. This movement included four professionals. AAR had made courses of action with one of the places of worship to offer their field as the setting for the free clinical camp. While a few cases were charged relying upon the force of the test, the vast majority of the wellbeing tests done were gratis I would utilize the Fielders Contingency Model that suggests that pioneers survey people they didn't care for working with as of late or in the past on a size of 1to 8 by considering associates who are unpleasant versus well disposed, uncooperative versus helpful, and protected versus open. This test isn't about how awful the least favored associate was hard to work with yet dependent on the pioneer's conduct towards that specific partner (Jasper Jumaa, 2005). Fiedler's possibility hypothesis expresses that viable initiative depends on the style as well as on authority over a circumstance. During the wellbeing camp, the pioneer was incredibly intelligent. Each specialist appeared to be altogether agreeable; odds are, she was an incredible cooperative person. Defender suggests that a decent pioneer should show others how its done a compelling pioneer doesnt give bearings on what ought to be done and how it ought to be done; they are the first to do what they know ought to be finished. The leader of the group during the wellbeing camp used this proposal as we discovered him playing out the tests on the different patients. The relationship exhibited was task-situated in light of the fact that the pioneer didn't think of her as position yet got into the framework and cooperated without breaking a sweat (Williams, 2005). Along these lines the group captain wiped out any chance of having individual issues with one of her subordinates influence the manner in which she worked during the clinical camp. References Jasper, M. Jumaa, M. (2005). Viable medicinal services initiative. Oxford, UK: Blackwell Pub. Williams, M. (2005). Authority for pioneers. London: Thorogood.

Music has no Language Barrier Essay Example For Students

Music has no Language Barrier Essay Music has no Language Barrier We all currently realize that Korean popular music is ruling the music business nowadays. Numerous haters says that worldwide fans cannot comprehend what they are stating, for all they know, they night be reviling the fans without them knowing it. Trust me, I have met numerous individuals, as a general rule or on the web, who abhors Korean Music. Be that as it may, is it wrong to adore them without realizing their first language? I think there are just 1/3 individuals who are liberal and the other 2/3 are altogether close disapproved of individuals. That is to say, male call the male icons gays. Dont they Just feel unreliable in light of the fact that the male icons are too Andromeda and also skilled? Also, when a male like Korean Music individuals would Judge him as gays, well I think bonbons are the ones who have bunches of boldness since they dont care what others thinks, its what they like so nobody has the option to Judge them. Without a doubt, I will concede that their are Korean Fans would go insane and pursue their objects of worship around the town of Seoul however it just shows that they love them profoundly that they need to make their venerated images notice them. Much the same as in one of the anises I have viewed. The hero would circumvent saying Sensei, kindly notification me! I think its like that. From what I have seen individuals who love Korean music will in general be progressively critical in picking the individuals who they need to have a relationship with. Since they need that particular individual to have the standards to be Just similar to their golden calf. Music has no language obstruction. In the event that you like the music, at that point hear it out. On the off chance that you need to comprehend what they are stating realize the language. Symbols do learn other language so they speak with their fans. So Just like that gain proficiency with the language and you can speak with your golden calf on the web or as a general rule. By AsdfghJk1142

Dining Room in Authentic Elizabethan Style Assignment

Lounge area in Authentic Elizabethan Style - Assignment Example A normal structure of the period is Wollaton Hall (1588), Nottinghamshire, worked by Robert Smythson; it was the primary English house to relinquish the conventional focal yard and to put in its stead a high-ceilinged incredible corridor lit by exhibition windows and encompassed by traditionally proportioned, multi-windowed wings. Book of scriptures box - the good book box showed up, these were little side chests intended to hold the family book of scriptures. They were later made with an inclining top to encourage composing and perusing. It was the precursor to the composing work area. They were oak, left normal or got done with oils or beeswax. Shading: During Elizabethan occasions, shading plans fluctuated relying on the area of the home. Lighter hues would in general be kept away from around and city homes because of contamination. Another factor in shading decision was regularly controlled by the accessibility of colors. In nation regions, inside designs were regularly done by voyaging experts who conveyed constrained supplies. Paint must be blended nearby with whatever locally accessible fixings could be found. For instance, the blue-green shading wash utilized on wooden framed dividers in nation regions was gotten from the earth color land verde, blended in with egg whites and buttermilk. It is, by the by conceivable to offer some broad expressions. For instance, during the principal half of the Victorian period, dividers were generally light hues aside from lounge areas and libraries. The subsequent half offered approach to significantly more dynamic, rich hues, for example, clear greens and mahogany earthy colored co mmonly found in rooms. During this period, the general inclination was that profound, rich hues improved the significance of a room. Owen Jones, engineer and scholar of shading and adornment, distributed a handbook, in 1856, called The Grammar of Ornament. The premise of Jones' hypotheses on the utilization of shading was that it was stylishly right to utilize an intricate example comprising of one principle shading and numerous auxiliary hues. Impressive idea was given to making the correct equalization of both shading and surface between divider, embellishment, roof and woodwork. Adding surface to a room was accomplished using backdrop; stenciling and master paint completes, for example, wiping, marbleizing and scattering. By and large it was extremely hard to recognize backdrop from paint. The recreation of different sorts

13 Great Facebook Pages for Writers

13 Great Facebook Pages for Writers While we at the Riot take some time off to rest and catch up on our  reading, were re-running some of our  favorite posts from the last several months. Enjoy our highlight reel, and well be back with new stuff on Monday, January 5th. This post originally ran August 13, 2014. _________________________ Facebook. Perhaps a writers worst enemy. The procrastination. The temptation. The incessant feed of information. But need it all be bad? Make your Facebook visits feed your writing by following these great Facebook pages for writers. 1. Poets Writers This magazine is a great resource for writers, including information on contests, calls for submissions, and articles about all stages of the writing process. And their Facebook page keeps you plugged into daily writerly news, information, and writerly inspiration. 2. Banned Books Week The Facebook page for Banned Books Week provides information on injustices within the literary world, currently banned books, and breaking stories on censorship. 3. TED Writers need inspiration. We need new information and points of view, and TED Talks are a great way to get that inspiration  right on your Facebook timeline. 4. NaNoWriMo NaNoWriMo (National Novel Writing Month) isnt just limited to the month of November. The Facebook page for NaNoWriMo keeps the party going by posting quotes, writing prompts, and information about programs within NaNoWriMo. 5. Writers Write For more quotes, fun words (hello, vocabulary building), and writing prompts, check out the page for Writers Write. 6. Letters of Note When living a life of letters, its important to remember that writing includes communication namely, letters. And the Facebook page for Letters of Note provides links to legendary pieces of correspondence from writers and non-writers alike. 7. Academy of American Poets   Who hasnt gone to Poets.org to find the perfect poem for a wedding, Intro to Lit assignment, for wooing someone, or even for breaking up? The Facebook page for the Academy of American Poets delivers poems (as you might expect), but also discussions about poetry, its role in our lives, and writerly advice and quotes. 8. Hedgebrook Hedgebrook is a residency center for women, and their Facebook page is immensely positive and encouraging, providing prompts, quotes, and links to their alumnis work. 9. Humans of New York A photography page for writers? Yes. Hear me out. The photography on Humans of New York is not just about snapping a picture and leaving. Brandon, the man behind the camera, is interested in story, in peoples lives. And thats kind of a writers jam. The photography is often inspiring, allowing a little ekphrasis in your Facebook feed. 10. PEN Center USA The PEN Center strives to protect the rights of writers around the world, especially in places where setting down the truth in a book (even in fiction) can be dangerous, illegal, and/or deadly. The PEN Center spreads awareness, reports on stories, and includes interviews, quotes, and news. 11. Tin House There are many, many excellent journals to follow on Facebook, and you should, but Tin House has a lively Facebook presence, sharing music, quotes, opportunities, and links to work by Tin House authors. 12. Electric Literature Electric Literature publishes original fiction in its literary magazine as well as previously published stories in its weekly email blast,  Recommended Reading. And their Facebook page hooks readers up with all that great fiction, writerly news, and craft essays. 13. The Writers Almanac The Facebook page for The Writers Almanac reminds you, once a day, that its time to let the sweet soothing tones of Garrison Keillor remind you of why you became a writer in the first place and dont forget that daily dose of poetry to keep you healthy and creative! This is just the beginning! What are some other great Facebook pages for writers? ____________________ Did you know that Book Riot has a  YouTube channel? We do. It’s new and we are having fun with it. Check it out  here.

Gender Roles, Love, and Marriage in Seventeenth Century England - Literature Essay Samples

Samuel Pepys’s Diary is often studied for its first-hand account of important events in London’s history. Pepys records information on the Restoration of the Stuart Monarchy, the Plague, and the Great Fire of London, and readers are able to gain a greater understanding of this tumultuous time period through his writing. The Diary, in addition to being a useful piece of historical literature, is a useful tool in dissecting gender roles of the seventeenth century. Along with recording important historical events, Pepys includes smaller details about his life. Details about his marriage, his affairs, and his feelings about both of the aforementioned subjects reveal the restrictive nature of gender roles and the patriarchal institution of marriage of the time period. Pepys was a middle class man with a position in public office, and it could be said that he is a model citizen of the seventeenth century. Therefore, by examining the marriage of Samuel and Elizabeth Pepys, rea ders may gain an understanding of the restrictive and double-sided nature of gender roles in a middle class marriage during the late 1600s. Even in modern criticism of The Diary, readers insist that Pepys seems to, on some level, love Elizabeth, despite his committing numerous acts of adultery and abuse. It is, therefore, crucial to reexamine the definition of love during the seventeenth century in order to evaluate the dynamic of the Pepys’s marriage. If Pepys loved his wife, why did he have numerous affairs? Why did he physically abuse his wife? Why did he feel guilt for his actions but continue to do wrong? All of the previous questions can be answered by evaluating the role of gender in the institution of marriage as it was perceived in the seventeenth century. With London being a patriarchal society, the men held the power in marriages, and women were often thought of as possessions. For middle class men like Pepys, a wife was as important of a possession as nice suit or house. Claire Tomalin, in her book Samuel Pepys: The Unequalled Self, discusses the concept of marriage at the time: â€Å"Marriage was mea nt to be a step on the social ladder† (50). Likely, it was not love that drove Samuel and Elizabeth to marry in the first place but societal norms. Alice Clark, author of The Working Life of Women in the Seventeenth Century, argues that Samuel Pepys married as a result of capitalism. She writes, ‘That men did not at this time regard marriage as necessarily involving the assumption of a serious economic burden, but on the contrary, often considered it to be a step which was likely to strengthen them in lifes battles, is also significant† (39). During the time period, women were nothing more than possessions that could be used to advance ones’ social status or well-being. It is likely that Pepys married for the appearance of having a wife rather than actual love. Samuel’s treatment of his wife brings forth the problematic nature of the gender roles of the seventeenth century. It was understood that the wife was supposed to bear children and care for them, and the husband was supposed to take care of the family finances. From the beginning of the novel, Samuel hints toward his wife’s inability to fu lfill her role. He writes about his hoping for a child but his wife not becoming pregnant. While he does not delve into the subject, it can be understood that he is unsatisfied with their childless union. His dissatisfaction may be the source of his adultery. Throughout The Diary, readers learn that Samuel is a womanizer. He often lusts after women, fantasizes about them, and harasses them. Through Samuel’s interactions with other women, readers gain an understanding of his perception of women as sexual objects and his disdain for his wife. Samuel’s affair with Betty Michell most efficiently brings forth the idea that the adultery was founded on dissatisfaction with Elizabeth’s inability to fulfill her wifely role. In his Diary, Pepys writes about a scandalous moment with Betty Michell while in the company of his wife: â€Å"I did come to sit ‘avec’ Betty Michell, and there had her ‘main’, which ‘elle’ did give me very frankly now, and did hazer whatever I ‘voudrais avec la’, which did ‘plaisir’ me ‘grandement’, and so set her at home with my mind mighty glad of what I have prevailed fo r so far† (2213). Writing in a sort of secret language, Pepys knew that he was doing something wrong when forcing himself on other women. This act of pursuing another woman while in the presence of his wife demonstrates Pepys’s lack of satisfaction in his marriage. Pepys’s infatuation with Betty Michell continues to bring forth his underlying dissatisfaction with his wife. At one point in The Diary, shortly after forcing himself on Betty, he pretends that she is his wife. Pepys writes, â€Å"the mistresse of the shop took us into the kitchen and there talked and used us very prettily, and took her for my wife, which I owned and her big belly, and there very merry, till my thing done, and then took coach and home† (2219). It seems as though he is pleased with the idea of having a pregnant wife. This could reflect on his dissatisfaction with his wife’s inability to bear him a child. The prevalent gender roles of the time dictated Pepys’s actions. It was not uncommon for men to be rather forceful with women. Pepys would definitely be considered a pervert by today’s standards, but treating women in such a vulgar manner was not necessarily wrong during Pepys’s time. He very much treats the women that he sees as objects of his desires; he judges their beauty and lusts over their appearances. He treats his wife, however, as a possession that he has control over, like a piece of property. There is a definite difference between the way Pepys views the women that he lusts after and the woman that he is married to, but it is certainly not a difference in respect. In â€Å"The Irrepressible Pepys,† author Brooke Allen asserts that â€Å"Pepys was a domestic bully† (19). Pepys writes about one particular instance of his physical abuse in his Diary. He writes, â€Å"Thereupon she giving me some cross answer I did strike her over her left eye such a blow as the poor wretch did cry out and was in great pain, but yet her spirit was such as to endeavour to bite and scratch me† (1479). Rather than being sexually abusive to his wife, as one might expect of such a lecher as Pepys, he is physically abusive. This exemplifies the concept of gender roles within marriage in the seventeenth century. Pepys finds women that he does not â€Å"own† to be sexually alluring, and he treats them as a forbidden fruit. His own wife, however, is viewed more as an object to gratify social status than as an object to gratify sexuality. For men of Pepys’s time, â€Å"marriage marked the step from subjection within the household of father or master to rule within his own economic unit† (Peters 77). For women during this time period, at least through the lens of Pepys, marriage lowered their sex appeal and made them commodities. For Pepys, it seems as though marriage makes a woman lose her place on the pedestal. She loses her place as an object of desire, and she becomes an object that must be controlled, even if that means resorting to violence. Another instance in which Pepys acts out of anger toward his wife is when he breaks a basket that he had given her as a gift. He writes, â€Å"After that I went by water home, where I was angry with my wife for her things lying about, and in my passion kicked the little fine basket, which I bought her in Holland, and broke it, which troubled me after I had done it† (284). He feels the need to punish his wife, and this displays the inner-workings of their marriage. He is in control, and she must submit to her husband’s will. On the subject of the structure of marriage in the seventeenth century, author of â€Å"Marriage Contract and Social Contract in Seventeenth Century English Political Thought,† Mary Lyndon Shanley writes, â€Å"The man’s role was that of head and governor, the woman’s role that of obedient follower† (79). While he admits to feeling guilty about the incident after the fact, the language that he uses to describe the incident leads readers to believe that he is sorrier about breaking the nice basket than he is the abuse that he has inflicted on his wife. He writes about the incident as though it was something that must be done. He had to punish his wife; that was his role. There are multiple times throughout The Diary that Pepys expresses guilt for his actions against his wife. Being fully aware that his affairs were admonished and his cruelty toward his wife was wrong, Pepys continues to live carelessly. He writes: In the afternoon telling my wife that I go to Deptford, I went, by water to Westminster Hall, and there finding Mrs. Lane, took her over to Lambeth, where we were lately, and there, did what I would with her, but only the main thing, which she; would not consent to, for which God be praised.. But, trust in the Lord, I shall never do so again while I live. After being tired with her company I landed her at White; Hall, and so home and at my office writing letters till 12 at night almost, and then home to supper and bed, and there found my poor wife hard at work, which grieved my heart to see that I should abuse so good a wretch, and that is just with God to make her bad with me for my wrongin of her, but I do resolve never to do the like again. (1078) While Pepys may admit to feeling bad about his affair after it has happened, he never seems to feel bad while committing the act. He treats Elizabeth as almost a child or a pet. She is seen as something to be taken care of and felt sorry for, but she is not truly seen as an actu al person with deep-rooted emotions. To Pepys, Elizabeth’s emotions and reactions are very base because of societally-generated and accepted concepts of women. Pepys’s guilt seems dishonest and selfish. In conclusion, Samuel Pepys’s Diary offers more to readers than the important historical information that it contains. Pepys’s marriage to Elizabeth is heavily discussed in his Diary, and his writing offers readers with information about the confines of gender roles in seventeenth century middle class marriages. His numerous affairs and sexual abuse of women highlight the gender-bias that was prominent at the time. By examining the way that Pepys treats his wife in comparison to other women, readers learn of the difference between a woman and a wife. According to Pepys’s actions, a woman is a sexual object, and a wife is a personal belonging. For Pepys, love was about lust, and marriage was about ownership. Works Cited Allen, Brooke. The Irrepressible Pepys. New Criterion, vol. 21, no. 5, 2003: 14. Literary Reference Center. Clark, Alice. The Working Life of Women in the Seventeenth Century. Routledge, 2013. Pepys, Samuel. â€Å"The Diary of Samuel Pepys.† The Modern Language Review, vol. 1, no. 2, 1906, p. 162. Peters, Belinda Roberts. Marriage in Seventeenth-Century English Political Thought. Springer, 2004. Shanley, Mary Lyndon. Marriage Contract and Social Contract in Seventeenth Century English Political Thought. The Western Political Quarterly, vol. 32, no. 1, March 1979, pp. 79-91. Tomalin, Claire. Samuel Pepys: The Unequalled Self. Vintage, 2007.